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<channel>
	<title>Integration, Hip-hop and Live</title>
	<link>http://scario.blogsome.com</link>
	<description>Explore this and give me some comment</description>
	<pubDate>Sat, 01 Nov 2008 11:00:47 +0000</pubDate>
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	<language>en</language>

		<item>
		<title>SUAKA POLITIK JADI ‘PROYEK’ DI AUSTRALIA</title>
		<link>http://scario.blogsome.com/2008/11/01/p57/</link>
		<comments>http://scario.blogsome.com/2008/11/01/p57/#comments</comments>
		<pubDate>Sat, 01 Nov 2008 11:00:47 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>Uncategorized</category>
		<guid>http://scario.blogsome.com/2008/11/01/p57/</guid>
		<description><![CDATA[	Metro Tv lagi 
	Hana Gobay dan Yubel Kareni, dua WNI asal Papua yang ikut dalam rombongan 43 pencari suaka politik tahun 2005 ke Australia, mengaku menjadi korban konspirasi politik dan tipu daya gembong papua merdeka pimpinan Herman Wanggai dan Jakob Rumbiak. 
	Memilih pulang ke tanah air, pada September 2008, Hana dan Yubel mengisahkan, selama 3 [...]]]></description>
			<content:encoded><![CDATA[	<p>Metro Tv lagi </p>
	<p>Hana Gobay dan Yubel Kareni, dua WNI asal Papua yang ikut dalam rombongan 43 pencari suaka politik tahun 2005 ke Australia, mengaku menjadi korban konspirasi politik dan tipu daya gembong papua merdeka pimpinan Herman Wanggai dan Jakob Rumbiak. </p>
	<p>Memilih pulang ke tanah air, pada September 2008, Hana dan Yubel mengisahkan, selama 3 tahun nasibnya tak jelas di Australia. &quot;Para pencari suaka politik di negeri kangguru Australia diperalat pimpinan papua merdeka untuk melakukan aksi unjuk rasa</p>
	<p>menuntut merdeka. Organisasi Papua Merdeka pimpinan Jakob Rumbiak dan Herman Wanggai juga kerap melakukan penggalangan dana (fund raising) untuk dana perjuangan kelompok separatis di luar negeri.&quot; </p>
	<p>&nbsp;</p>
	<p>Nb: Buat yang ngotot tetep ikutan dukung gerakan separatis&#8230; (JANGAN BODOH!!!) </p>
]]></content:encoded>
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	</item>
		<item>
		<title>SIAPA MEMAINKAN GERAKAN SEPARATIS?</title>
		<link>http://scario.blogsome.com/2008/11/01/siapa-memainkan-gerakan-separatis/</link>
		<comments>http://scario.blogsome.com/2008/11/01/siapa-memainkan-gerakan-separatis/#comments</comments>
		<pubDate>Sat, 01 Nov 2008 10:55:44 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>Uncategorized</category>
		<guid>http://scario.blogsome.com/2008/11/01/siapa-memainkan-gerakan-separatis/</guid>
		<description><![CDATA[	I got this from METROTV Online.
	Setelah insiden bendera RMS yang dikibarkan di hadapan Presiden SBY, giliran bendera Organisasi Papua Merdeka (OPM) yang berkibar dalam konferensi masyarakat adat Papua (3/7). Gerakan separatis kembali eksis.  Panglima TNI Marsekal Djoko Suyanto, Kapolri Jenderal Polisi Sutanto, dan Kepala BIN Syamsir Siregar adalah orang-orang yang dikenal dekat dengan SBY. [...]]]></description>
			<content:encoded><![CDATA[	<p>I got this from METROTV Online.</p>
	<p>Setelah insiden bendera RMS yang dikibarkan di hadapan Presiden SBY, giliran bendera Organisasi Papua Merdeka (OPM) yang berkibar dalam konferensi masyarakat adat Papua (3/7). Gerakan separatis kembali eksis.  Panglima TNI Marsekal Djoko Suyanto, Kapolri Jenderal Polisi Sutanto, dan Kepala BIN Syamsir Siregar adalah orang-orang yang dikenal dekat dengan SBY. Tentunya pengamanan yang dilakukan kepada Presiden SBY juga mestinya ektra ketat. Namun mereka tetap saja kecolongan, bendera RMS berkibar di hadapan Presiden SBY. Mengapa 28 penari cakalele yang membawa bendera RMS mampu menerobos tiga ring pengamanan Presiden? Apa dan siapa yang membuat TNI, Polri dan BIN kecolongan? Adakah unsur &ldquo;orang dalam&rdquo;? Ataukah peristiwa ini merupakan permainan untuk mengguncang posisi SBY? Today&rsquo;s Dialogue edisi Selasa (3/7/2007) mengangkat topik: Siapa Memainkan Gerakan Separatis? Dialog berdurasi 30 menit yang dipandu Meutya Hafid menghadirkan Ali Muchtar Ngabalin (Anggota Komisi I DPR), Wawan Purwanto (Pengamat Intelejen) dan live by phone dengan AM Hendropriyono (Mantan Kepala BIN).  Ali mengatakan publik dapat menilai dan memberi penjelasan tersendiri tentang insiden RMS dan OPM yang terjadi. Baginya tidak terlalu penting apakah pernyataan panglima TNI yang mengimbau rakyat untuk melihat insiden ini sebagai masalah separatis sebagai pernyataan untuk mengalihkan perhatian tentang masalah pertanggungjawaban TNI-Polri. Menurutnya yang penting adalah tindakan konkrit yang dilakukan TNI-Polri agar hal serupa tidak terjadi lagi.  Sementara Wawan melihat adanya silent operation dibalik insiden RMS. Ia menduga adanya sosok yang bermain dibalik insiden ini. Orang ini diduga punya posisi yang kuat dan orang yangbetul-betul mengerti tentang pengamanan Presiden. Faktanya ketiga ring pengamanan berhasil diterobos.  Hendro menanggapi pernyataan Wawan. Menurutnya aksi-aksi yang terjadi sengaja dilakukan untuk menarik perhatian publik. Memancing agar masyarakat dan pemerintah panik. Hendro mengatakan pihak RMS yang punya sejarah separatis dalam catatan NKRI sengaja memancing timbulnya dampak psikologis massa. Ia juga menambahkan insiden RMS kemarin sebenarnya tidak berbahaya, tetapi mungkin menghasilkan reaksi yang tepat sesuai yang diinginkan oknum RMS.  Wawan kembali menimpali. Menurutnya insiden RMS kemarin memang tidak membahayakan. Ia menyebutkan ungkapan &ldquo;zero victim&rdquo;. Tetapi bukan berarti dapat dianggap angin lalu. Melainkan jelas mengindikasikan adaya permainan di dalamnya. Insiden pengibaran bendera RMS sampai penangkapan sangat mungkin adalah bagian dari skenario tikus yang sengaja masuk perangkap. Orang yang memainkan adalah orang yang sangat pandai dan mengerti protokoler.  Hendro kurang setuju akan adanya permainan orang dalam. Menurutnya ini lebih kepada soal koordinasi pengamanan yang lemah.  Soal adanya isu insiden RMS terkait dengan Pilkada Maluku, Ali mengatakan DPR belum bisa menemukan benang merahnya. Tetapi ia berpendapat insiden RMS adalah masalah kontra intelejen.Chrst)</p>
]]></content:encoded>
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	</item>
		<item>
		<title>Bourgeois Negros -VS- Hip-hop (AKA) &#8220;What the F**k Happened to Black Popular Music?&#8221;</title>
		<link>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music-2/</link>
		<comments>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music-2/#comments</comments>
		<pubDate>Tue, 21 Nov 2006 10:23:28 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music-2/</guid>
		<description><![CDATA[	Read this article, to understand what this is all about: www.allaboutjazz.com/php/&#8230;p?id=21243
	 Like a retired old basketball player coming out to criticize the latest crop of NBA players, another elitist bourgeois old ass jazz musician Mr. Kenny Drew, Jr.attacks Hip-hop, this @#%$ is getting old. 
	 This kind of ranting is so common that I have [...]]]></description>
			<content:encoded><![CDATA[	<p><span><strong /></span>Read this article, to understand what this is all about:<br /> <!--EZCODE AUTOLINK START--><a href="http://www.allaboutjazz.com/php/article.php?id=21243">www.allaboutjazz.com/php/&#8230;p?id=21243</a><!--EZCODE AUTOLINK END--></p>
	<p> Like a retired old basketball player coming out to criticize the latest crop of NBA players, another elitist bourgeois old ass jazz musician Mr. Kenny Drew, Jr.attacks Hip-hop, this @#%$ is getting old. </p>
	<p> This kind of ranting is so common that I have to this date ignored picking them apart as they offer no mental challenge nor intellectual competition or worthy debate. However I&#8217;m on a long car trip and I&#8217;m bored so I&#8217;ll have some fun and set this up like a court case so that I can get Hip-hop some JUSTICE: (please copy and paste this on forums whenever this issue comes up again, and it will). - Paradise 2006 </p>
	<p> Case: Bourgeois Negros -VS- Hip-hop (AKA) &quot;What the F**k Happened to Black Popular Music?&quot;</p>
	<p> Prosecutor: Kenny Drew, Jr.<br /> Plaintiff: Bourgeois Negros <br /> Defendant: Hip-hop<br /> Defense Attorney: Claude Paradise Gray </p>
	<p> (Closing Arguments):</p>
	<p> *Prosecution: Mr. Kenny Drew, Jr.<br /> What the F**k Happened to Black Popular Music?</p>
	<p> *Defense: Mr. Claude Paradise Gray <br /> The same thing that happened to Black People. It was stolen, en-slaved, co-opted, integrated and brainwashed!</p>
	<p> Prosecution:<br /> &quot;You may wonder why I&#8217;m talking about popular music in this first installment, since I am generally thought of as a &quot;jazz&quot; musician&quot;. </p>
	<p> Defense:<br /> No wonder at all! You wanted attention and you knew there was no controversy in discussing &quot;Jazz&quot; in 2006, so you are doing what everyone else does. Play the Hip-hop card. But there will be no easy win on this day as I am going to prove to you the ladies and gentlemen of the jury today, that my client &quot;Hip-hop&quot; is innocent beyond a shadow of a doubt. And yes today there will be the use of the infamous &quot;N&quot; word &quot;NOT GUILTY&quot;!</p>
	<p> Okay, first off wasn&#8217;t Jazz like stolen off of our elders by guys like Kenny G and Yanni?</p>
	<p> It would seem to me that you would have a more important fight on your hands than attacking your children&#8217;s music. Didn&#8217;t your parents hate your music? It&#8217;s time for yall to grow the hell up already. Is this the best generation for White music? There are no Beatles, Rolling Stones, Aerosmith&#8217;s or Elvis&#8217;s running around right now either. And the same lyrical content that is popular in Hip-hop is present in all of today&#8217;s young music regardless of race. Heavy Metal, Dance Hall reggae, Reggaeton you name it, if it&#8217;s young and American, it is laden with drugs, money and sex. It&#8217;s not even limited to music, it&#8217;s in Movies and T.V. Have you seen today&#8217;s video games? Try comparing the Grand Theft Auto Series to Pac-Man, Pong or The Mario Brothers games! </p>
	<p> While true that the current image that is the industry favorite marketing scheme is a the menacing face of a athletically built young Blackman, did Hip-hop create this image or is it the same warmed over image passed down from your generation that started this fire? You do remember Shaft, Super-fly, Sweet Daddies Badass, Foxy Brown? The image that you describe could easily have been a Truck Turner poster could it not? The whole Pimp, Player, Hustler image is a throwback to the to black exploitation era and yes my brothers and sisters if you hadn&#8217;t noticed, we are still being exploited in 2006. Did you even see the movie that you are criticizing? &quot;Get Rich Or Die Trying&quot; by 50 Cent? In the movie 50&#8217;s character respected women, was very sensitive, a good caring father and showed an incredible amount of restraint even after being confronted with the death of his mother, and almost being killed himself, flipping the script by successfully trading drug dealing for music (as he has done in real life) 50 is to be commended for portraying such a strong Blackman in today&#8217;s sell-out market. </p>
	<p> Prosecution: <br /> &quot;And if 50 Cent was really shot nine times, why couldn&#8217;t one of those bullets have hit a vital organ?&quot;</p>
	<p> Defense:<br /> Why are you calling for this man&#8217;s blood, does he really deserve to be dead, what crime did he commit against you? <br /> It seems that the streets also have a problem with 50 now, unbelievably he is &quot;NOT&quot; gangster enough for them, it takes real blood baths and massive jail sentences to maintain street credibility now. I&#8217;ve heard that some major labels encourage criminal activity and use every opportunity to use this as marketing and promotion. Urban magazines such as The Source and XXL (both white owned) have seen jail issues become best sellers. </p>
	<p> Why do so many older cats act like they are so disconnected from Hip-hop? <br /> Could it be because they ran off on the black community so long ago that they don&#8217;t even recognize their own children? They can&#8217;t understand the lyrics, they can&#8217;t feel the rythmic vibrations of the drums, they hate the way we dress, our cadence, our rebellious nature, they act as if they hate everything about Hip-hop. Could it be because Hip-hop is the sound of abandonment, the sound of pain, a call for help, a ghetto 911. Other signs of our demise are: Crack, Gangs, Murder, Joblessness, no health care, homelessness, no proper education and being poor in general. Life is not imitating the ways of Hip-hop, rap music is catering to the vampire like blood thirsty lust of America. It allows young white males from the ages of 13 24 to live the inner city experience vicariously. Rap music has sold 75f it&#8217;s CD&#8217;s in the past 10 years to this coveted demographic. </p>
	<p> Prosecution:<br /> &quot;How the hell did we get from &quot;Just to be Close to You Girl&quot; to &quot;Back That Ass Up Bitch&quot;? How the hell did we get from &quot;What&#8217;s Goin&#8217; On&quot; and &quot;You Haven&#8217;t Done Nothin&#8217; &quot; to &quot;Me So Horny&quot; and &quot;My Hump&quot;?&quot;</p>
	<p> Defense: I Object!<br /> This is an attempt to sterilize your musical culture while condemning ours, as if there were no drug use among some of the most prominent Jazz and Rhythm &amp; Blues artists such as Ray Charles, Miles Davis, Jimi Hendrix and Billie Holiday just to name a few. How about lyrical content? How about Blowfly? Millie Jackson? Be fair, don&#8217;t compare apples &amp; oranges. Let&#8217;s talk about comparing all the way back to Clarence Carters - Strokin&#8217;<br /> How about &quot;I Got Ya&quot; By Joe Tex? Rick James signing about Mary Jane (WEED), Elton John&#8217;s Lucy In the Sky With Diamond (LSD). Billy Paul&#8217;s &quot;Me And Mrs. Jones&quot;, he was Jones&#8217;ing for some Heroin. And don&#8217;t tell me that Johnny Guitar Watson wasn&#8217;t Pimping on his album covers. How about the Isley Brothers? The Ohio &quot;Players&quot;. C&#8217;mon the word &quot;Jazz&quot; itself means to &quot;@#%$&quot; how much of a hypocrisy is this? </p>
	<p> Doe&#8217;s Hip-hop have any positive values, doe&#8217;s it have no artists who are alternatives to the corporate cookie cutter sound and marketing? Of course it does. Who can forget the uplifting messages of peace, hope and spirituality in the lyrics of Africa Bambaataa And The Soul Sonic Force, KRS-1 or the Poor Righteous Teachers. Or the social consciousness and protest messages in the lyrics of X-Clan, Public Enemy, The Coup, Ice Cube, Queen Latifah, Mos Def, Talib Kweli, Paris, Common, Rakim, Dead Pres, Kanye West. If the only reference of knowledge that you have of Hip-hop is given to you by corporate America i.e.: Commercial Radio, BET, MTV, then you get what you ask for! I&#8217;ll bet that you dug deep to acquire your knowledge of Jazz and R&amp;B and are quite &quot;THE MAN&quot; at parties because of this fact. Why did Hip-hop not rate the same treatment? </p>
	<p> We can even get a lil&#8217; eclectic: A Tribe Called Quest, De La Soul, PM Dawn, The Jungle Brothers, Kwame&#8217;, Kool Kieth, The Boo Yaa Tribe.</p>
	<p> Prosecution:<br /> &quot;Since only one element of music is present in most of this crap it <br /> doesn&#8217;t even justify being called music.&quot;</p>
	<p> Defense:<br /> You insult a generation of young wonderful people when you insinuate that JDILLA did not create music or that the music he created was one dimensional. How about &quot;The Roots&quot;? How about the Philly Sounds pioneered by D.J. Jazzy Jeff? Isn&#8217;t he Hip-hop enough for you? Ever hear Premier&#8217;s (Gangstar) sound? Teddy Riley = Hip-hop. Can&#8217;t you appreciate the multi-layered compositions of Public Enemy&#8217;s &quot;Bomb Squad&quot;. Kanye West is Hip-hop, Lupe Fiasco is Hip-hop, The Force MD&#8217;s are Hip-hop and I&#8217;ll put some LL Cool J up against a R&amp;B love song or two anytime. </p>
	<p> While I can sympathize with your frustration as an artist, I can&#8217;t empathize. <br /> Let&#8217;s get back to picking apart your ill-thought tirade. </p>
	<p> Prosecution: <br /> &quot;So what&#8217;s the solution here? Damned if I know!&quot; </p>
	<p> Defense:<br /> I knew you were going to say that! People like you never have any SOLUTIONS! The worst part of this is that it&#8217;s not really rocket science. </p>
	<p> Here are a few solutions. (WARNING ACTUAL SOLUTIONS FOLLOW). This may cause irritation in some individuals:</p>
	<p> Start a youth music learning program, similar to the African American Music Institute in Pittsburgh. (Or send them a check). </p>
	<p> Use your expertise to work with young Hip-hop producers on musicianship.</p>
	<p> Encourage as many old school and current Jazz artists as possible to reach out and mentor young people, collaborate with them.</p>
	<p> Instead of &quot;killing the messengers&quot; who talk about the squalid conditions of the inner city hoods let&#8217;s actually do something about the conditions.</p>
	<p> Instead of mad flaming rants dis-respecting artists that we don&#8217;t like, identify good artists with positive music and promote them. </p>
	<p> Prosecution:<br /> &quot;I find it offensive that any record company would try to make a profit from glorifying something that has decimated the black community the way that crack has&quot;.</p>
	<p> Defense:<br /> So do I. What are you gonna do about it? You make no suggestions about the problem being the multi-media corporations themselves. They are the ones in control and they have the power to make the changes if they are forced to. </p>
	<p> You wanna boycott? Boycott the corporations that sponsor negative images of our people.</p>
	<p> We are so quick to jump on our own people, think BIG. <br /> Boycott Record Companies themselves not the individual artists.<br /> Boycott BET, MTV, TV studios, Movie Studios, radio stations and their sponsors. You wouldn&#8217;t even have to start one, you could join the Universal Zulu Nation&#8217;s Boycott. </p>
	<p> My last suggestion to you Mr. Kenny Drew, Jr. is for you to please SHUT THE @#%$ UP!</p>
	<p> It&#8217;s better to let someone assume that you are an idiot, than to open your big mouth and confirm it.</p>
	<p> Hip-hop doesn&#8217;t suck - You Do. </p>
	<p> I hope that you will recycle the big ass bottles that all the Haterade you&#8217;ve been drinking came in.</p>
	<p> I rest my case.</p>
	<p> Claude Paradise Gray<br /> Public Defender for Hip-hop <br /> <!--EZCODE AUTOLINK START--><a href="http://www.myspace.com/paradisegray">www.myspace.com/paradisegray</a>
</p>
]]></content:encoded>
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	</item>
		<item>
		<title>Bourgeois Negros -VS- Hip-hop (AKA) &#8220;What the F**k Happened to Black Popular Music?&#8221;</title>
		<link>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music/</link>
		<comments>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music/#comments</comments>
		<pubDate>Tue, 21 Nov 2006 10:08:26 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/21/bourgeois-negros-vs-hip-hop-aka-what-the-fk-happened-to-black-popular-music/</guid>
		<description><![CDATA[	Read this article, to understand what this is all about: www.allaboutjazz.com/php/&#8230;p?id=21243
	 Like a retired old basketball player coming out to criticize the latest crop of NBA players, another elitist bourgeois old ass jazz musician Mr. Kenny Drew, Jr.attacks Hip-hop, this @#%$ is getting old. 
	 This kind of ranting is so common that I have [...]]]></description>
			<content:encoded><![CDATA[	<p><span><strong /></span>Read this article, to understand what this is all about:<br /> <!--EZCODE AUTOLINK START--><a href="http://www.allaboutjazz.com/php/article.php?id=21243">www.allaboutjazz.com/php/&#8230;p?id=21243</a><!--EZCODE AUTOLINK END--></p>
	<p> Like a retired old basketball player coming out to criticize the latest crop of NBA players, another elitist bourgeois old ass jazz musician Mr. Kenny Drew, Jr.attacks Hip-hop, this @#%$ is getting old. </p>
	<p> This kind of ranting is so common that I have to this date ignored picking them apart as they offer no mental challenge nor intellectual competition or worthy debate. However I&#8217;m on a long car trip and I&#8217;m bored so I&#8217;ll have some fun and set this up like a court case so that I can get Hip-hop some JUSTICE: (please copy and paste this on forums whenever this issue comes up again, and it will). - Paradise 2006 </p>
	<p> Case: Bourgeois Negros -VS- Hip-hop (AKA) &quot;What the F**k Happened to Black Popular Music?&quot;</p>
	<p> Prosecutor: Kenny Drew, Jr.<br /> Plaintiff: Bourgeois Negros <br /> Defendant: Hip-hop<br /> Defense Attorney: Claude Paradise Gray </p>
	<p> (Closing Arguments):</p>
	<p> *Prosecution: Mr. Kenny Drew, Jr.<br /> What the F**k Happened to Black Popular Music?</p>
	<p> *Defense: Mr. Claude Paradise Gray <br /> The same thing that happened to Black People. It was stolen, en-slaved, co-opted, integrated and brainwashed!</p>
	<p> Prosecution:<br /> &quot;You may wonder why I&#8217;m talking about popular music in this first installment, since I am generally thought of as a &quot;jazz&quot; musician&quot;. </p>
	<p> Defense:<br /> No wonder at all! You wanted attention and you knew there was no controversy in discussing &quot;Jazz&quot; in 2006, so you are doing what everyone else does. Play the Hip-hop card. But there will be no easy win on this day as I am going to prove to you the ladies and gentlemen of the jury today, that my client &quot;Hip-hop&quot; is innocent beyond a shadow of a doubt. And yes today there will be the use of the infamous &quot;N&quot; word &quot;NOT GUILTY&quot;!</p>
	<p> Okay, first off wasn&#8217;t Jazz like stolen off of our elders by guys like Kenny G and Yanni?</p>
	<p> It would seem to me that you would have a more important fight on your hands than attacking your children&#8217;s music. Didn&#8217;t your parents hate your music? It&#8217;s time for yall to grow the hell up already. Is this the best generation for White music? There are no Beatles, Rolling Stones, Aerosmith&#8217;s or Elvis&#8217;s running around right now either. And the same lyrical content that is popular in Hip-hop is present in all of today&#8217;s young music regardless of race. Heavy Metal, Dance Hall reggae, Reggaeton you name it, if it&#8217;s young and American, it is laden with drugs, money and sex. It&#8217;s not even limited to music, it&#8217;s in Movies and T.V. Have you seen today&#8217;s video games? Try comparing the Grand Theft Auto Series to Pac-Man, Pong or The Mario Brothers games! </p>
	<p> While true that the current image that is the industry favorite marketing scheme is a the menacing face of a athletically built young Blackman, did Hip-hop create this image or is it the same warmed over image passed down from your generation that started this fire? You do remember Shaft, Super-fly, Sweet Daddies Badass, Foxy Brown? The image that you describe could easily have been a Truck Turner poster could it not? The whole Pimp, Player, Hustler image is a throwback to the to black exploitation era and yes my brothers and sisters if you hadn&#8217;t noticed, we are still being exploited in 2006. Did you even see the movie that you are criticizing? &quot;Get Rich Or Die Trying&quot; by 50 Cent? In the movie 50&#8217;s character respected women, was very sensitive, a good caring father and showed an incredible amount of restraint even after being confronted with the death of his mother, and almost being killed himself, flipping the script by successfully trading drug dealing for music (as he has done in real life) 50 is to be commended for portraying such a strong Blackman in today&#8217;s sell-out market. </p>
	<p> Prosecution: <br /> &quot;And if 50 Cent was really shot nine times, why couldn&#8217;t one of those bullets have hit a vital organ?&quot;</p>
	<p> Defense:<br /> Why are you calling for this man&#8217;s blood, does he really deserve to be dead, what crime did he commit against you? <br /> It seems that the streets also have a problem with 50 now, unbelievably he is &quot;NOT&quot; gangster enough for them, it takes real blood baths and massive jail sentences to maintain street credibility now. I&#8217;ve heard that some major labels encourage criminal activity and use every opportunity to use this as marketing and promotion. Urban magazines such as The Source and XXL (both white owned) have seen jail issues become best sellers. </p>
	<p> Why do so many older cats act like they are so disconnected from Hip-hop? <br /> Could it be because they ran off on the black community so long ago that they don&#8217;t even recognize their own children? They can&#8217;t understand the lyrics, they can&#8217;t feel the rythmic vibrations of the drums, they hate the way we dress, our cadence, our rebellious nature, they act as if they hate everything about Hip-hop. Could it be because Hip-hop is the sound of abandonment, the sound of pain, a call for help, a ghetto 911. Other signs of our demise are: Crack, Gangs, Murder, Joblessness, no health care, homelessness, no proper education and being poor in general. Life is not imitating the ways of Hip-hop, rap music is catering to the vampire like blood thirsty lust of America. It allows young white males from the ages of 13 24 to live the inner city experience vicariously. Rap music has sold 75f it&#8217;s CD&#8217;s in the past 10 years to this coveted demographic. </p>
	<p> Prosecution:<br /> &quot;How the hell did we get from &quot;Just to be Close to You Girl&quot; to &quot;Back That Ass Up Bitch&quot;? How the hell did we get from &quot;What&#8217;s Goin&#8217; On&quot; and &quot;You Haven&#8217;t Done Nothin&#8217; &quot; to &quot;Me So Horny&quot; and &quot;My Hump&quot;?&quot;</p>
	<p> Defense: I Object!<br /> This is an attempt to sterilize your musical culture while condemning ours, as if there were no drug use among some of the most prominent Jazz and Rhythm &amp; Blues artists such as Ray Charles, Miles Davis, Jimi Hendrix and Billie Holiday just to name a few. How about lyrical content? How about Blowfly? Millie Jackson? Be fair, don&#8217;t compare apples &amp; oranges. Let&#8217;s talk about comparing all the way back to Clarence Carters - Strokin&#8217;<br /> How about &quot;I Got Ya&quot; By Joe Tex? Rick James signing about Mary Jane (WEED), Elton John&#8217;s Lucy In the Sky With Diamond (LSD). Billy Paul&#8217;s &quot;Me And Mrs. Jones&quot;, he was Jones&#8217;ing for some Heroin. And don&#8217;t tell me that Johnny Guitar Watson wasn&#8217;t Pimping on his album covers. How about the Isley Brothers? The Ohio &quot;Players&quot;. C&#8217;mon the word &quot;Jazz&quot; itself means to &quot;@#%$&quot; how much of a hypocrisy is this? </p>
	<p> Doe&#8217;s Hip-hop have any positive values, doe&#8217;s it have no artists who are alternatives to the corporate cookie cutter sound and marketing? Of course it does. Who can forget the uplifting messages of peace, hope and spirituality in the lyrics of Africa Bambaataa And The Soul Sonic Force, KRS-1 or the Poor Righteous Teachers. Or the social consciousness and protest messages in the lyrics of X-Clan, Public Enemy, The Coup, Ice Cube, Queen Latifah, Mos Def, Talib Kweli, Paris, Common, Rakim, Dead Pres, Kanye West. If the only reference of knowledge that you have of Hip-hop is given to you by corporate America i.e.: Commercial Radio, BET, MTV, then you get what you ask for! I&#8217;ll bet that you dug deep to acquire your knowledge of Jazz and R&amp;B and are quite &quot;THE MAN&quot; at parties because of this fact. Why did Hip-hop not rate the same treatment? </p>
	<p> We can even get a lil&#8217; eclectic: A Tribe Called Quest, De La Soul, PM Dawn, The Jungle Brothers, Kwame&#8217;, Kool Kieth, The Boo Yaa Tribe.</p>
	<p> Prosecution:<br /> &quot;Since only one element of music is present in most of this crap it <br /> doesn&#8217;t even justify being called music.&quot;</p>
	<p> Defense:<br /> You insult a generation of young wonderful people when you insinuate that JDILLA did not create music or that the music he created was one dimensional. How about &quot;The Roots&quot;? How about the Philly Sounds pioneered by D.J. Jazzy Jeff? Isn&#8217;t he Hip-hop enough for you? Ever hear Premier&#8217;s (Gangstar) sound? Teddy Riley = Hip-hop. Can&#8217;t you appreciate the multi-layered compositions of Public Enemy&#8217;s &quot;Bomb Squad&quot;. Kanye West is Hip-hop, Lupe Fiasco is Hip-hop, The Force MD&#8217;s are Hip-hop and I&#8217;ll put some LL Cool J up against a R&amp;B love song or two anytime. </p>
	<p> While I can sympathize with your frustration as an artist, I can&#8217;t empathize. <br /> Let&#8217;s get back to picking apart your ill-thought tirade. </p>
	<p> Prosecution: <br /> &quot;So what&#8217;s the solution here? Damned if I know!&quot; </p>
	<p> Defense:<br /> I knew you were going to say that! People like you never have any SOLUTIONS! The worst part of this is that it&#8217;s not really rocket science. </p>
	<p> Here are a few solutions. (WARNING ACTUAL SOLUTIONS FOLLOW). This may cause irritation in some individuals:</p>
	<p> Start a youth music learning program, similar to the African American Music Institute in Pittsburgh. (Or send them a check). </p>
	<p> Use your expertise to work with young Hip-hop producers on musicianship.</p>
	<p> Encourage as many old school and current Jazz artists as possible to reach out and mentor young people, collaborate with them.</p>
	<p> Instead of &quot;killing the messengers&quot; who talk about the squalid conditions of the inner city hoods let&#8217;s actually do something about the conditions.</p>
	<p> Instead of mad flaming rants dis-respecting artists that we don&#8217;t like, identify good artists with positive music and promote them. </p>
	<p> Prosecution:<br /> &quot;I find it offensive that any record company would try to make a profit from glorifying something that has decimated the black community the way that crack has&quot;.</p>
	<p> Defense:<br /> So do I. What are you gonna do about it? You make no suggestions about the problem being the multi-media corporations themselves. They are the ones in control and they have the power to make the changes if they are forced to. </p>
	<p> You wanna boycott? Boycott the corporations that sponsor negative images of our people.</p>
	<p> We are so quick to jump on our own people, think BIG. <br /> Boycott Record Companies themselves not the individual artists.<br /> Boycott BET, MTV, TV studios, Movie Studios, radio stations and their sponsors. You wouldn&#8217;t even have to start one, you could join the Universal Zulu Nation&#8217;s Boycott. </p>
	<p> My last suggestion to you Mr. Kenny Drew, Jr. is for you to please SHUT THE @#%$ UP!</p>
	<p> It&#8217;s better to let someone assume that you are an idiot, than to open your big mouth and confirm it.</p>
	<p> Hip-hop doesn&#8217;t suck - You Do. </p>
	<p> I hope that you will recycle the big ass bottles that all the Haterade you&#8217;ve been drinking came in.</p>
	<p> I rest my case.</p>
	<p> Claude Paradise Gray<br /> Public Defender for Hip-hop <br /> <!--EZCODE AUTOLINK START--><a href="http://www.myspace.com/paradisegray">www.myspace.com/paradisegray</a>
</p>
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		<title>The Promised Land - Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation</title>
		<link>http://scario.blogsome.com/2006/11/21/the-promised-land-reflections-on-dr-martin-luther-king-jr-and-the-hip-hop-nation/</link>
		<comments>http://scario.blogsome.com/2006/11/21/the-promised-land-reflections-on-dr-martin-luther-king-jr-and-the-hip-hop-nation/#comments</comments>
		<pubDate>Tue, 21 Nov 2006 10:02:38 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/21/the-promised-land-reflections-on-dr-martin-luther-king-jr-and-the-hip-hop-nation/</guid>
		<description><![CDATA[	
	 by KRS ONE
	 PEACE AND MUCH LOVE TO ALL GENERATIONS OF HIP HOP KULTURE! We are truly a blessed nation! In these times of war, mass unemployment and social unrest let US become the changes that we would like to see in the world. We are an international culture of new people on the [...]]]></description>
			<content:encoded><![CDATA[	<p><span><strong /></span></p>
	<p> by KRS ONE</p>
	<p> PEACE AND MUCH LOVE TO ALL GENERATIONS OF HIP HOP KULTURE! We are truly a blessed nation! In these times of war, mass unemployment and social unrest let US become the changes that we would like to see in the world. We are an international culture of new people on the earth. So let US be the civilization that we expect others to be. Together (as a Hip Hop Nation) we truly have a great opportunity to establish peace, love, unity and safely having fun with our Hip Hop activity in the world. And NOT with our &quot;hip-hop&quot; activities in the world, but with our collective unified &quot;Hip Hop&quot; activity in the world we have an opportunity to establish a &quot;True World Order&quot;.</p>
	<p> Yeah, I know that there are some that shall (and have already) unjustly criticize our efforts toward peace from &quot;behind the screens&quot;. But civilization building is NOT for everyone, nor can everyone even comprehend the importance of such an attempt. Nevertheless, such an attempt must be made for our own security as adults and as parents as well as for the security of our children and their children&#8217;s children&#8217;s children. No criticism, debate or unjust slander can ever move US from the fulfillment of our ancestor&#8217;s dreams. </p>
	<p> Our Hip Hop preservation movement is NOT just about the preservation of Hip Hop as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism it is also and more importantly about continuing our ancestors dreams/visions of true freedom, justice and equality amongst ALL people; this is the world&#8217;s true order. WE MUST NEVER FORGET THE STRUGGLE! Our ancestors as well as our children and the future of Hip Hop are depending upon US! TODAY! Either, you ignore this fact or you engage this fact; either way, the choices that you make and the effects of such choices shall come to pass in YOUR own life and prove the character of who YOU really are. </p>
	<p> There is never a reason, nor is there ever time, to criticize or debate the movements of others when you are busy working at the realization of your own movement. Its funny to me how some people have so much to say about KRS ONE and his attempts to establish Hip Hop as an international community of peace, love, unity and having fun yet they have made little or no progress at all in that which they espouse as the solution to the social ills of our time. My message is clear; &quot;Rap is something we do, Hip Hop is something we live!&quot; Therefore, how shall we live as Hiphoppas? Sure, we can sit around and brag about the greatness of our ancestors and recount their victories of the past, but when shall we rise to our own victories in the present? </p>
	<p> How long shall we reminisce over the glory days of the Civil Rights Movement without continuing the struggles and maintaining the victories of such a movement today? How long shall we romanticize the fact that our ancestors were civilization builders without even attempting to build any such civilization for ourselves today? All of this is a disgrace to the very greatness of our elders and ancestors! By talking about our ancestor&#8217;s greatness and not continuing in the footsteps of such greatness do we not betray the very greatness that we are speaking of? It&#8217;s better to remain ignorant of your ancestor&#8217;s achievements than to know of your ancestor&#8217;s achievements and do nothing to continue their legacy! Is this not a traitor to their very ideas? A traitor to the movement? Is this not a true sell-out?</p>
	<p> Say whatever you like about KRS ONE (good, bad or indifferent) but one thing is for sure, no amount of criticism shall ever remove or shake him from the continuation of what his ancestors and elders lived and died for. Call me whatever you like; from &quot;a true prophet&quot; to &quot;a false prophet&quot; none of it matters when compared to the real struggle of our people to gain their rightful place at the table of peace and prosperity. And who are &quot;our&quot; people? This begins our reflection on the &quot;Promised Land&quot;. </p>
	<p> Ya know, as I see it, the world is not terrorized by religious fanaticism; it is more terrorized by religious apathy. Too many people in the world today are not taking their religion or spiritual practice seriously. Too many people have simply lost their faith. And why? Scandals? Inconsistencies? Poverty? Sickness? All of or some of these may be the cause of such mass faithlessness but from what I see, people loose their faith when they are distant from the knowledge of their God. They don&#8217;t really know if their God truly exists or not, and within such distance created by doubt people forget what God really looks and sounds like. So when God appears to them in the form of a man or woman (or other animal), the logic of the World tells them that such an appearance is just a person espousing some really good ideas. &quot;Oh, he was a great man&quot; or &quot;oh, she was a great woman&quot; but never do they assume that they were in the presence of their &quot;lord&quot; and &quot;savior&quot;. And this, I think is the main reason why many people are faithless today; they&#8217;re forever waiting on a savior that has already appeared! </p>
	<p> Too many people are waiting for their savior to appear in the way that their oppressors have determined when a true savior will always be at odds with an oppressive government that chooses to enslave its own people and contradict its own laws. In fact, this is the reason for a savior; to free humanity from the restraints of ignorance and oppression. Too many people have been indoctrinated in the Jesus story without really knowing anything about the life of the Christ. This is why when their savior appears they don&#8217;t recognize him/her; they&#8217;re to busy looking for Jesus. Throughout most of recorded history men and women of God alike have appeared to their people with divine solutions and remedies to rid their people of their oppression. But in ignorance, the People themselves reject their OWN savior and even assist in his assassination. As Jesus pointed out; &quot;thou killest the prophets and stonest them which are sent to thee&quot; (Matthew 23: 37). </p>
	<p> A savior is a person who saves or rescues. No bells, no whistles, no hype! Just a person who saves others. &quot;Savior: a person who rescues another from harm, danger, or loss (American Heritage Dictionary). A &quot;lord&quot; (throughout history) is a person who has authority, control or power over others. &quot;Lord: a man of renowned power and authority (American Heritage Dictionary). And yes, there are other definitions to &quot;lord&quot; however, when it comes to a spiritual teacher or &quot;savior&quot; this is what someone&#8217;s &quot;lord&quot; would be. A &quot;lord&quot; is your master, your chief; the one that you submit to, the one that you deeply respect. Different from &quot;The Lord&quot; which is usually ascribed to Jesus the Christ, &quot;a lord&quot; is someone that you have entrusted your life to. They lead you. </p>
	<p> On January 15 th 1929, my &quot;lord&quot; and &quot;savior&quot; Michael King was born. He would adopt the name Martin Luther (named after the German theologian who challenged the doctrine of the Roman Catholic Church in the 16th century which resulted in the establishment of the Protestant churches) and after attending Moore House College in Atlanta, Crozer Theological Seminary in Pennsylvania and then Boston University were he received his doctorate, Martin Luther King Jr. became Dr. Martin Luther King Jr. He is my &quot;lord&quot; because I give him such authority over my life. He is my King! I respect him. I believe in him! He is my &quot;savior&quot; because the only reason I am freely doing what I am doing and freely going wherever I wish to go is because of him and his sacrifices. In all honesty, I could NOT be KRS ONE in the way that I am if it were not for Dr. Martin Luther King Jr.! He saved me from White racism! He liberated me from self-destruction! He stood up for me when I could not stand up for myself. And to him I am forever grateful. </p>
	<p> His strength has given me strength. His courage has given me courage. His faith has given me faith. His vision has given me vision. In truth, I am living HIS dream! I don&#8217;t need to look at a 2000 year old Christian history for instruction when I can simply follow the instructions of MY lord and savior Dr. Martin Luther King Jr. who laid his life down in 1968 so that I could live more comfortably today in 2006. Those who have benefited by Dr. King&#8217;s sacrifices yet prefer to honor Jesus as their lord and savior will be shocked when Jesus returns to them saying, &quot;I never knew you.&quot; For it was Jesus who said, &quot;This is my commandment, that ye love one another, as I have loved you. Greater love hath no man than this, that a man lay down his life for his friends&quot; (John 15:12-13). </p>
	<p> We can talk all day about revolution and &quot;what we gotta do&quot; but if WE are not willing to exalt to sainthood those who lay down their lives for OUR freedom and comfort then we are truly lost! When are WE going to honor OUR own &quot;lords&quot; and &quot;saviors?&quot; Is this not the beginning of any effective revolution? Why put your faith in the sacrifices of foreign messiahs, saints and saviors when your own father has given HIS life for the advancement of YOUR well-being TODAY? Dr. Martin Luther King Jr. IS THE CHRIST! He is the &quot;savior&quot; of all who believe in him and his words. And as Hiphoppas, we must pay very close attention to the instructions of OUR savior if we are to grow and develop as a truly righteous nation ourselves.</p>
	<p> In his famous &quot;I Have A Dream&quot; decree Dr. King said; &quot;In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plain of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with Soul Force!&quot;</p>
	<p> This is the essence of any true Hip Hop movement. In fact, it is our belief that Hip Hop is the fulfillment of Dr. King&#8217;s &quot;I Have A Dream&quot; speech. When studied closely one can see that Dr. King&#8217;s words were directed to his four children and all those of the younger generation of his time. When he said, &quot;I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character&quot;, most people assumed that the only nation Dr. King could have been talking about was the United States of America. That one day IT would live up to its creed of &quot;all men&quot; being &quot;created equal&quot; with the &quot;unalienable rights&quot; of &quot;life, liberty&quot; and the &quot;pursuit of happiness&quot;. Indeed Dr. King was talking about America as a nation, but it is clear that he was NOT talking about the America that he was protesting against. He saw a radically different America than even the one that exists today! In fact, after Dr. King&#8217;s assassination in 1968 things got worse!</p>
	<p> Dr. King&#8217;s vision of true racial unity and equal citizenship under the Law never fully materialized for the people of the United States. As much as Americans love to hear about integration and the vision of ONE America with many shades and colors, in real life Americans are more segregated as a nation today than ever before. Despite the enormous advances made by Dr. Martin Luther King Jr. and Thurgood Marshall toward a totally integrated American school system (for example) today, schools that bear their names are known to be the most segregated schools in the United States! </p>
	<p> You can limit your analysis of Dr. King&#8217;s &quot;I Have A Dream&quot; decree to just being the protest speech of the day if you like. But if you were one of the Black or White children that his speech was referring to then Dr. King&#8217;s Word is to be understood in the realm of prophesy, prediction and instruction not just (as the average American mind remembers it) as protest words for his time. On the contrary, Dr. King was not even speaking for his time; he was speaking for OUR TIME! Most of what he said in that famous decree was said in future tense. Dr. King said; &quot;one day right there in Alabama, little Black boys and Black girls will be able to join hands with little White boys and White girls as sisters and brothers&quot;. </p>
	<p> Most people because of their own prejudices refer to the phrase &quot;as brothers and sisters&quot; figuratively. They doubt that &quot;little Black boys and girls&quot; and &quot;little White boys and girls&quot; can actually be real &quot;brothers and sisters!&quot; And they doubt this because for Black children and White children to become real blood brothers and sisters this means the creation of a new race, a new sect of people. And this concept goes way beyond what most people can actually handle today. As prophesy, Dr. King&#8217;s &quot;I Have A Dream&quot; speech calls a new nation into existence. And because he was speaking to the future of those youths (us) born between 1960 and 1970 (generation X) who became the pioneers of modern Hip Hop and instinctively created the alternative multicultural, multiracial, omni-faithed community that Dr. King predicted, it is safe to say that WE are the true citizens of the nation Dr. Martin Luther King Jr. dreamed about. HIP HOP IS THE PROMISED LAND!</p>
	<p> No where else on earth is there an international culture that is home to all races, classes, ethnicities and religious beliefs other than Hip Hop. No where else on earth is a person truly judged by the &quot;content of their character&quot; rather than by the &quot;color of their skin&quot; than within Hip Hop. Dr. King said, &quot; One day on red hills of Georgia, sons of former slaves and sons of former slave owners will be able to sit down together at the table of brotherhood&quot;. Nowhere has this happened in the world on a mainstream level except within the community of Hip Hop. As pimped-out, thugged-out and drugged-out as we appear to be, Hip Hop is NOT a racist culture. Our existence as a Hip Hop community fulfills Dr. King&#8217;s prophecy philosophically and historically. Within our Hip Hop community a person gains money, power and respect through a display of high skill in one or more of Hip Hop&#8217;s unique elements. Here, you are truly judged by the content of your character (your attributes, your abilities, your reputation, who you associate with) not by your race or ethnic origin. Hip Hop is beyond all that. </p>
	<p> But just like the original vision of Hip Hop being about peace, love, unity and having fun was betrayed by the very people that it was designed to help, so was Dr. King&#8217;s dream also betrayed. Dr. King not only saved Black folks from years of segregation and forgave America and showed America true unconditional love but he also gave America a way out of sin and laid out the foundations for a truly civilized nation. In response, Black folks booed him, President Johnson would call him a &quot;nigger preacher&quot;, the N.A.A.C.P. disowned him and in the end White folks killed him! DAMN! </p>
	<p> As a result, &quot;The Dream&quot; of Dr. King fell upon the ground and both Blacks and Whites trampled over it! Even those of his own &quot;Southern Christian Leadership Conference&quot; sought after the success of their own careers rather than continue the realization of &quot;The Dream&quot;. And let me say right here, that I am not be overly critical of anyone&#8217;s efforts. But after Dr. Martin Luther King Jr.&#8217;s death it seems that everything went back to the way it was. People from Dr. king&#8217;s own camp seem to have forgotten the &quot;Dream&quot;. Proof of this is the simple fact that many Americans especially Black Americans don&#8217;t even know who Dr. King is or what he was really all about. Is this the fault of &quot;the White Man&quot; or is this the fault Dr. King&#8217;s own Black People? </p>
	<p> Why do WE allow illegal drugs to be sold on those streets named after Dr. Martin Luther King Jr.? Why doesn&#8217;t every Black home have a picture or a word of Dr. King hanging upon its walls? Why have Black scholars allowed Black children to learn of Dr. King as a man who &quot;let the dogs bite him&quot; as opposed to teaching them the deeper meanings and benefits to not using violence as a way to solve problems? Why aren&#8217;t ALL children taught about the strengths of non-violent passive resistance? Why are we more interested in Dr. King&#8217;s sex life than we are the realization of his &quot;Dream?&quot; </p>
	<p> Even further, why hasn&#8217;t Dr. King&#8217;s final campaign for the relief of poverty and the redistribution of wealth for poor Black people not followed through on after his death? When Dr. King said in his famous last decree on April 3 rd 1968 at a Masonic Temple/Church in Memphis Tennessee; &quot;And also in the human rights revolution, if something isn&#8217;t done, and in a hurry, to bring the colored peoples of the world out of their long years of poverty, their long years of hurt and neglect, the whole world is doomed&quot; did any one really hear him. Or is it just a coincidence that long years of &quot;poverty&quot; and &quot;neglect&quot; is also being said to be the cause of terrorism today? </p>
	<p> Why is it that the only part of this last decree before his assassination that anyone gets to here is the very end of the decree where he says; &quot;. I&#8217;ve been to the mountain top. And I don&#8217;t mind. Like anybody I would like to live a long life. Longevity has its place. But I want you to know tonight, that we, as a People, will get to the Promised Land. I may not get there with you. But I want you to know that we as a People will get to the Promised Land&quot;. Why haven&#8217;t we frequently heard the other parts of that famous decree where Dr. king also said; we are asking you not to buy Coca-Cola in Memphis. .not to buy Sealtest Milk. Tell them not to buy .Wonder Bread. .We are choosing these companies because they haven&#8217;t been fair in their hiring policies. .I call upon you to take your money out of the banks .we want a bank-in movement in Memphis&quot;. Why we ain&#8217;t hearing these messages frequently. What if every MLK day we as a People withdrew our dollar from the companies Dr. King mentions as well as from those companies that advertise on B.E.T. and M.T.V. and on local radio stations that promote crime, lust, deceit and everything that Dr. King stood against and died for. What if we really listened to our lord and savior Martin the Christ? The true M.C.!</p>
	<p> For if we really studied the Word of our savior we would also hear him saying to the Black Church in his same April 3 rd decree; &quot;so often, preachers are not concerned about anything but themselves! And I&#8217;m always happy to see a relevant ministry. It&#8217;s all right to talk about &#8216;long white robes over yonder,&#8217; in all of its symbolism. But ultimately people want some suits and dresses and shoes to wear down here. It&#8217;s all right to talk about &#8217;streets flowing with milk and honey,&#8217; but God has commanded us to be concerned about the slums down here, and his children who can&#8217;t eat three square meals a day. It&#8217;s all right to talk about the new Jerusalem, but one day, God&#8217;s preacher must talk about the NEW York, the NEW Atlanta, the NEW Philadelphia, the New Los Angeles, the NEW Memphis Tennessee. This is what WE have to do.&quot; </p>
	<p> So why we ain&#8217;t doin&#8217; it! Well, that answer also rests within that same April 3 rd 1968 decree. Dr. King, referring to Luke 10: 25-37 talked about the &quot;Good Samaritan&quot; and how we must &quot;.develop a kind of dangerous unselfishness.&quot; Pointing out how a priest and a Levite passed a beaten and robbed man on the road and how a Samaritan stopped to help, Dr. King made this point: &quot;And so the first question that the Levite asked was, &#8216;if I stop to help this man, what will happen to me?&#8217; But then the good Samaritan came by. And he reversed the question: &#8216;if I do not stop to help this man, what will happen to him? That&#8217;s the question before you tonight (referring to the sanitation workers then on strike in Memphis). If I stop to help the sanitation workers, what will happen to all of the hours that I usually spend in my office everyday and every week as a pastor?&#8217; the question is not, &#8216;if I stop to help this man in need what will happen to me? If I do not stop to help the sanitation workers, what will happen to them?&#8217; That&#8217;s the question!&quot; </p>
	<p> And that&#8217;s the answer, &quot;dangerous unselfishness&quot; we must develop this character again. People are &quot;.not concerned with anything except themselves&quot; and this is how crack cocaine can be sold on Dr. Martin Luther King Blvd and the police as well as Black leadership seem to be powerless to such blatantly illegal activity. As a Hip Hop nation we must not disgrace the blood of our ancestors and elders. As Dr. King said in Chicago; &quot;We must make it clear, WE are going to live in dignity and honor, that WE are supposed to live there because WE are GOD&#8217;S CHILDREN and if WE are GOD&#8217;S CHILDREN he loves us (Hiphoppas) like he loves ALL of his children!&quot; </p>
	<p> This is Hip Hop! And either we are going to interpret Dr. King&#8217;s Word literally for OUR instruction today or we are going to interpret Dr. King&#8217;s words as historical protest poetry placed more in the realm of entertainment than in the realm of true nationalism.</p>
	<p> Dr. Martin Luther King&#8217;s Jr.&#8217;s birthday is celebrated as a Federal holiday every third Monday in January. This year it rises on January 16 th 2006. This is an official Hip Hop holiday. Let us raise the awareness of OUR &quot;lord&quot; and &quot;savior&quot; Martin the Christ in the minds of OUR children. So, in recognition of MLK Day on January 16 th 2006. </p>
	<p> Let us fast from spending money on things we really don&#8217;t need. <br /> Let us tend to the needs of the poor; wherever and whoever they may be. <br /> Let us watch any of the documentaries on Dr. King with our families. <br /> Let us repent and stop disrespecting Dr. Martin Luther King Blvd. <br /> Let us support all museums and community centers bearing Dr. King&#8217;s name. </p>
	<p> Let us abstain from illegal drug use as well as alcohol and junk foods. <br /> Let us show mercy, love, care and forgiveness toward one another. <br /> Let us honor our parents, elders and ancestors. <br /> Let us share ideas, food, etc with someone from a different race or ethnicity. </p>
	<p> LET US BEGIN TO ACT LIKE THE NATION THAT DR. KING SAW IN HIS DREAM! </p>
	<p> To be continued.</p>
	<p> Visit The Teacha KRS-ONE and The Temple of Hip Hop at www.templeofhiphop.org
</p>
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		<title>STREET MOVEMENT&#8230;</title>
		<link>http://scario.blogsome.com/2006/11/21/street-movement/</link>
		<comments>http://scario.blogsome.com/2006/11/21/street-movement/#comments</comments>
		<pubDate>Tue, 21 Nov 2006 09:55:55 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/21/street-movement/</guid>
		<description><![CDATA[	
WHAT IS FTP
	Clearly one of if not thee STRONGEST NAME in Hip-Hop as a movement with the potentiality to effectuate the masses of our oppressed people throughout the Diaspora!
- Tony Atlas (Tony Atlas &#038; Rocky Johnson Hip Hop Group)
	FTP MOVEMENT founded and conceptualized by Kalonji Jama Changa in July of 2001 in Bridgeport, Connecticut is [...]]]></description>
			<content:encoded><![CDATA[	<p>
WHAT IS FTP</p>
	<p>Clearly one of if not thee STRONGEST NAME in Hip-Hop as a movement with the potentiality to effectuate the masses of our oppressed people throughout the Diaspora!<br />
- Tony Atlas (Tony Atlas &#038; Rocky Johnson Hip Hop Group)</p>
	<p>FTP MOVEMENT founded and conceptualized by Kalonji Jama Changa in July of 2001 in Bridgeport, Connecticut is a street movement working to galvanize and organize members and/or non-members of African/Black and other Colonized organizations to points of unified thoughts and action for the liberation and self-determination of our people.</p>
	<p>Minister of Defense Huey P. Newton of the Black Panther Party stated that the people learn through &#8220;observation and participation.&#8221; So with that in mind we not only &#8220;talk the talk&#8221;, but we &#8220;walk the walk&#8221;.</p>
	<p>FTP is a revolutionary movement working to put the power back in the hands of the people, so that we the people can control our own destiny.</p>
	<p>FTP is against capitalism, imperialism, and all other by products of global white supremacy. We work towards communalism and nation building.</p>
	<p>FTP is not one of those &#8220;deep&#8221; movements or organizations that tend to waste time rappin, jaw japping and not producing any action.</p>
	<p>What do we believe in?</p>
	<p>We believe in fighting for the total liberation of African and other Colonized people.</p>
	<p>We understand that as freedom fighters we are not Super heroes, it is a mass struggle so it will take the masses of our people to triumph. People often talk about we need to unite, thats cool but, we need unified thought and action. With the Revolutionary or Political organizations we have to have points of unity. We all dont have to agree on every issue but we have to find common interests and come up with a plan of action and put it into effect.</p>
	<p>The main focal point of the FTP Movement is the Have Nots, The Hungry and the Colonized. We know that if we could organize the so-called gangs, homeless, kidnapped (incarcerated) and just colonized people in general we will be victorious. We travel around the globe hitting not just the lecture halls and Universities but the Hood and Communities as well, because thats where the people are.</p>
	<p>FOR THE PEOPLE-FEED THE PEOPLE-FREE THE PRISONERS-FOR THE POOR-FORMULATE THE PLAN-FIGHT THE POWER-FEEL THE PRESSURE FEEL THE PAIN-FIGHT THE POVERTY-FIND THE POTENTIAL-@#%$ THE POLICE*</p>
	<p>What are our colors?</p>
	<p>Our colors are RBG (Red, Black and Green) as given to us by the fearless General, The Honorable Marcus Mosaih Garvey.</p>
	<p>Red: the blood that unites African people that was shed for Liberation;<br />
Black: Black people who exist as a Nation;<br />
Green: the abundant natural wealth of Africa.</p>
	<p>What is our Logo?</p>
	<p>Our logo is a Siafu. Siafus are ants from East Africa that live in Colonies but unlike most ants they dont have a permenant home. Siafus are the embodiment of teamwork. Individually a Siafu has no eyes, no venom only strong jaws. As a team the Siafu can strip a water buffalo down in less than an hour.</p>
	<p>To get down or for more info-<br />
myspace.com/ftpmovement<br />
myspace.com/kalonji_ftp</p>
	<p>www.ftpmovement.tk
</p>
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		<title>Democracy and Hip-Hop - Our Line</title>
		<link>http://scario.blogsome.com/2006/11/18/democracy-and-hip-hop-our-line/</link>
		<comments>http://scario.blogsome.com/2006/11/18/democracy-and-hip-hop-our-line/#comments</comments>
		<pubDate>Sat, 18 Nov 2006 08:01:34 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/18/democracy-and-hip-hop-our-line/</guid>
		<description><![CDATA[	From the Democracy and Hip-Hop Project 11.04.2006 by Rob Odell aka &quot;C.L.R. Odell&quot; and Krisna Best aka &quot;General Baker&quot;
	 The following is an analysis of modern hip-hop and a critique of the hip-hop intelligentsia. Just so no one is unclear about who we are; we are nobodies. We are two non-degree holding, white workers from [...]]]></description>
			<content:encoded><![CDATA[	<p>From the <!--EZCODE LINK START--><a target="top" href="http://democracyandhiphop.blogspot.com/">Democracy and Hip-Hop Project</a><!--EZCODE LINK END--><br /> 11.04.2006<br /> by Rob Odell aka &quot;C.L.R. Odell&quot; and Krisna Best aka &quot;General Baker&quot;</p>
	<p> The following is an analysis of modern hip-hop and a critique of the hip-hop intelligentsia. Just so no one is unclear about who we are; we are nobodies. We are two non-degree holding, white workers from Kansas City who grew up with hip-hop as MCs, DJs, producers, and dancers and which later developed into thinking and writing. Our influences are vast and broad, but on a hip-hop level consist of Michael Eric Dyson, Greg Tate, bell hooks, Bakari Kitwana, Kevin Powell, Davey D, Robin D.G. Kelley, etc. etc. </p>
	<p> While we have incorporated much of the above named intellectuals into our work, we see some fundamental flaws of logic and criticism. We hope that the following is a solid contribution to the larger dialogue about hip-hop and if most of you violently disagree, at the very least we can all come to a better understanding through exchange and discourse. </p>
	<p> This is a project for all.  This is a project for hip-hop.</p>
	<p> &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-  </p>
	<p> Given that this project began over six months ago, a post on our position on hip-hop is probably long overdue. Perhaps it just took us this long to figure out exactly what it is that we are proposing to do here at D&amp;HHP. Recently the question was raised as to what this project is really about and why there is so much non-hip-hop content on a blog that claims to be hip-hop oriented. Well, let us tell you.</p>
	<p> Our point of departure comes from a more general place than merely hip-hop; we share a worldview based on an ongoing study of history, politics, economics, philosophy, art and culture, and just about anything else we can find the time for. Not only that, but we share a methodology; a way of thinking about things that brings out their necessary interconnections and which allows us to trace their logical development over time.</p>
	<p> We begin from two simple premises:</p>
	<p> <!--EZCODE BOLD START--><strong>1)</strong><!--EZCODE BOLD END--> that over the course of the last 500 years the movement of history has been based on one simple fact; that whenever great masses of people were presented with an opportunity, they have sought to establish a society based on equality and democracy. This concept of what democracy actually is has changed, grown, and developed with time, but it has only found new content with every new effort by the masses to institute their desire for peace and equality.</p>
	<p> <!--EZCODE BOLD START--><strong>2)</strong><!--EZCODE BOLD END--> that all culture is a reflection; a gauge; an indicator of the stage of consciousness reached by people in their historical movement to institute this democratic society. It reflects the current stage and foreshadows the next. It expresses those peoples&#8217; hopes, dreams, desires, fears, anxieties, prejudices, etc. In short, it tells us who they are and who they are striving to become, and the more people that participate in a culture movement, the more accurate the reflection will be.</p>
	<p> With those simple, if contentious, premises accepted then we conclude that hip-hop, as a form of culture with literally millions of participants here and across the globe, is the best indicator; the best gauge of the consciousness of the masses of people throughout the world and it expresses not only all that is ugly about them, but all that is beautiful and all that yearns to be free. It gives the best approximation of where they are and where they are going, of the present stage in their historical movement to institute a free and democratic society.</p>
	<p> That is why a piece by General Baker on the Universality of Hip-hop or on the expression of that universality in a review of Kelis&rsquo;s new album fits right alongside a piece by C.L.R. Odell on the Hungarian Revolution of 1956 or on the immigration debate of today; because they all express in their own way the general course of the movement described above.</p>
	<p> But above all we are concerned here with the present state of that movement and hip-hop provides the best raw material for study. So we focus much of our time on that cultural movement that we have come to know as the hip-hop generation.</p>
	<p> In order to better give our small and limited readership a basic overview of our position (General Baker and C.L.R. Odell) on hip-hop, we will attempt to summarize it with a few points. These points are not final and, like hip-hop itself, should be considered constantly in motion.</p>
	<p> The following points are not a prescription, a remedy, or a ten commandments to which all should conform, but merely a beginning with which to explain hip-hop as it exists currently.</p>
	<p> <!--EZCODE BOLD START--><strong>1. Movement.</strong><!--EZCODE BOLD END--><!--EZCODE ITALIC START--> Hip-hop cannot under any circumstances be understood through old and incompatible categories, whether these categories consist of the &quot;four elements&quot;, &quot;underground vs. mainstream&quot;, &quot;rap vs. hip-hop&quot;, &quot;rapper vs. MC&quot;, &quot;hip-pop&quot;, &quot;hip-hop is dead&quot;, &ldquo;gangsta rap&rdquo;, &ldquo;boom bap&rdquo;, etc. In order to understand a thing we cannot begin with preconceived notions about it, but by its own movements and activity. Our task, the task of the hip-hop intellectual, is to start out from the fact that hip-hop simply <em>is</em><!--EZCODE ITALIC END-->.</p>
	<p> <!--EZCODE BOLD START--><strong>2. Democracy.</strong><!--EZCODE BOLD END--> Hip-hop is an inherently democratic organism. Anyone, regardless of race, age, gender, location, or economic status is able to participate within it and to offer it new dimension. This is evidenced by the fact that hip-hop is not only a national, but a worldwide phenomenon and has literally left no country, race, or social group untouched.</p>
	<p> In addition to hip-hop&rsquo;s global existence, it is also breaking down traditional categories of identity, whether of race or nationality, and of what people can become.</p>
	<p> <!--EZCODE BOLD START--><strong>3. Intelligentsia.</strong><!--EZCODE BOLD END--> The hip-hop intellectual of today (that is, the writers, authors, and historians, many of them pioneers and former artists) is plagued with conservatism and generally stands in opposition to the predominant forms that hip-hop assumes today. Instead of seeing the content of hip-hop as always changing, as stated in point one, the intellectual departs from outmoded categories and, hence, arrives at a partial and incomplete definition or notion.</p>
	<p> It is quite the contradiction that the hip-hop of today poses so many possibilities and yet its own intelligentsia, or class of intellectuals, refuses to see or cannot see these possibilities. This divorce between the thinkers and the actors, so to speak, has left wide open the place for the new hip-hop intellectual to explain and articulate what the old cannot.</p>
	<p> <!--EZCODE BOLD START--><strong>4. Superstructure.</strong><!--EZCODE BOLD END--> Hip-hop is a cultural and aesthetic superstructure and therefore should be understood as the artistic consequence, <!--EZCODE BOLD START--><strong>not the cause</strong><!--EZCODE BOLD END-->, of all that is in society. It merely expresses the day-to-day experiences, ideas, and institutions of common people. Hip-hop does indeed exaggerate, embellish, and in some ways distort reality as all art does. It would not be art otherwise.</p>
	<p> It is argued by protagonists and opponents alike that hip-hop compels people to certain ideas and actions. This is nonsense. Hip-hop merely gives all the form, not the basis, to express their pre-existing feelings and ideas.</p>
	<p> <!--EZCODE BOLD START--><strong>5. Dogmatism.</strong><!--EZCODE BOLD END--> Hip-hop has no rules. Whenever, at any moment throughout hip-hop&#8217;s thirty year history, an individual or group of individuals has attempted to institute or inject a type of formalism and doctrinism within hip-hop, it has been hip-hop&#8217;s intrinsic nature to reject such formalism.</p>
	<p> <!--EZCODE BOLD START--><strong>6. Foundation.</strong><!--EZCODE BOLD END--> Hip-hop&#8217;s economic foundation is rooted in the deindustrialization (the decline of factory jobs) of black America in particular and America in general. This economic shift has laid the initial basis for real, material unity between black and white workers and workers of previously different industrial sections because they were no longer divided by the types of work that they were employed in.</p>
	<p> In other words they were presented with an opportunity to form new relations with those around them and those they formed were markedly more democratic than the old ones. Hip-hop, as an reflection of consciousness, is the ideal expression of this new material relation.</p>
	<p> <!--EZCODE BOLD START--><strong>7. Socialism</strong><!--EZCODE BOLD END-->. Hip-hop provides a glimpse into the everyday person&#8217;s vision for the future social organization of humanity. It should be noted that this has nothing to do with the misogyny, violence, or materialistic desire for money and things that are prevalent within much of the culture. Those characteristics express the present social organization and can be found in countless other art forms across many different genres. Hip-hop rather contains unique characteristics that point towards a more harmonious democratic kind of society.</p>
	<p> As C.L.R. James has stated about popular culture today, hip-hop also represents an uncompromising hostility to the values of totalitarianism and to official American society. While certain aspects of hip-hop have been absorbed and reined in by capital, it would cease to be a mass culture had it not sought to break down such restraints.</p>
	<p> <!--EZCODE BOLD START--><strong>8. Method</strong><!--EZCODE BOLD END-->. Hip-hop is the music to end all music. This does not imply that there will be no further music forms beyond hip-hop or that the hip-hop of today will remain the same, but that it is compelling all other music forms, on pain of extinction, to adopt its mode of expression. In addition, it has re-posited all previous music forms into ones consistent with hip-hop&#8217;s general method.</p>
	<p> For example, nowadays country artists sing duets with rappers and their music is filled with drums that are very hip-hop inspired, a rock band subsumes DJs into their group, and an R&amp;B artist sings with an attitude that could only be the result of hip-hop.</p>
	<p> <!--EZCODE BOLD START--><strong>9. Universality.</strong><!--EZCODE BOLD END--> No other American artistic movement has reached the level of universality that hip-hop has. By universality we mean its ability to penetrate and permeate every aspect of our work life, spiritual life, and cultural life to an extent not seen previously. Nothing has drawn these formerly disparate threads of material life together the way hip-hop has.</p>
	<p> Take any classical music form and see how hip-hop has incorporated it, via sampling and interpolations, into a larger universality. Sampling aside, all historical music movements have saved up their experience which only hip-hop can lay hold of and reconstruct into a higher, more acceptable form.</p>
	<p> All music and art reaches for universality and in so doing achieves at least a level of it but none has done so more than hip-hop. Of course it has been aided in this by the level of universality reached in our global community. The internet and other forms of digital communication have connected us in ways that have never been possible before.</p>
	<p> <!--EZCODE BOLD START--><strong>10. Contradiction.</strong><!--EZCODE BOLD END--> Hip-hop, <!--EZCODE BOLD START--><strong>once and for all</strong><!--EZCODE BOLD END-->, is inherently contradictory and it is the totality of all these contradictions that comprises modern hip-hop. There is no thing, phenomena, or subject which is an exception to this rule. Contradiction is the identity and essential unity of opposites that challenges all things to new stages of development.</p>
	<p> The ideological contradictions existing within hip-hop are a reflection of the prevailing values within larger society. Hip-hop moves by its own contradictions as a global culture, a local development, an individual participant, and as a single verse.</p>
	<p> <!--EZCODE BOLD START--><strong>11. Morality.</strong><!--EZCODE BOLD END--> Hip-hop, as a mass culture, has never posited a &quot;moral&quot;, &quot;positive&quot;, or &quot;Leftist&quot; agenda or was the result of such. It is this type of mythologizing by hip-hop intellectuals and conservatives alike that prevent us from arriving at a more complete history. The hip-hop of then moved by the same contradictions as the hip-hop of today. Any attempts to divorce positive themes from a certain type of hip-hop or certain era from its necessarily negative aspects is not only a revision of history, but a retreat from all Reason.</p>
	<p> <!--EZCODE BOLD START--><strong>12. Happiness.</strong><!--EZCODE BOLD END--> Hip-hop is only hip-hop because it is a truly mass phenomenon. As stated in the introduction, it is the best reflection, the best gauge, the best measure, the best indicator, of our struggles for life, liberty, and the pursuit of happiness and our ideas about who we are, where we came from, where we are headed, and the possibilities of what we can become.
</p>
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		<title>Hip-hop, credibility, crime Legal woes unlikely to have sway on a rapper&#8217;s reputation and career</title>
		<link>http://scario.blogsome.com/2006/11/16/hip-hop-credibility-crime-legal-woes-unlikely-to-have-sway-on-a-rappers-reputation-and-career/</link>
		<comments>http://scario.blogsome.com/2006/11/16/hip-hop-credibility-crime-legal-woes-unlikely-to-have-sway-on-a-rappers-reputation-and-career/#comments</comments>
		<pubDate>Thu, 16 Nov 2006 12:39:18 +0000</pubDate>
		<dc:creator>scario</dc:creator>
		
	<category>from hiphop message board</category>
		<guid>http://scario.blogsome.com/2006/11/16/hip-hop-credibility-crime-legal-woes-unlikely-to-have-sway-on-a-rappers-reputation-and-career/</guid>
		<description><![CDATA[	KELEFA SANNEH  New York Times  www.charlotte.com/mld/cha&#8230;103450.htm   Last week, when Lil&#8217; Kim was sentenced to a year and a day in prison for lying to a grand jury, it seemed like more proof that rappers just can&#8217;t stay out of jail. The conventional wisdom is that for hip-hop stars, there&#8217;s a connection [...]]]></description>
			<content:encoded><![CDATA[	<p>KELEFA SANNEH  New York Times  www.charlotte.com/mld/cha&#8230;103450.htm   Last week, when Lil&#8217; Kim was sentenced to a year and a day in prison for lying to a grand jury, it seemed like more proof that rappers just can&#8217;t stay out of jail. The conventional wisdom is that for hip-hop stars, there&#8217;s a connection between crime and credibility. Every time some rapper poses for a mug shot, there is a chorus of commentators ready to declare that it&#8217;s all a publicity stunt.  The sentencing of Lil&#8217; Kim comes after two months when two rappers faced more serious charges. On June 17, the Philadelphia rapper Cassidy turned himself in to the police, who were looking for him as a suspect in a shooting that killed one man and wounded two others. Less than two weeks later, Cassidy&#8217;s second album, &quot;I&#8217;m a Hustla&quot; (Full Surface/J Records), arrived in stores.  In May, the emerging Atlanta rapper Gucci Mane surrendered in connection with the slaying of a rapper from Macon, Ga., named Pookie Loc; the arrest came the same day as the release of Gucci Mane&#8217;s new album, &quot;Trap House&quot; (Big Cat). Gucci Mane, who was jailed, has said that the killing was self-defense and has suggested that Pookie Loc was connected to his foe and former collaborator Young Jeezy, from the Atlanta group Boyz n da Hood, which released its thrilling self-titled debut album June 21; Jeezy&#8217;s highly anticipated solo debut is due on July 26.  All of this proves what, exactly? It&#8217;s clear that many rappers find themselves embroiled in violence, but it&#8217;s also clear that Radric Davis had plenty to worry about even before he became a Southern sensation named Gucci Mane: He had previously been convicted on cocaine charges. And while a high-profile arrest certainly won&#8217;t scare off hip-hop fans, it won&#8217;t usually drive them to the record shops, either. Billboard said the arrest gave Gucci Mane a &quot;big boost on the charts,&quot; but in fact his album made its debut at No. 101. That&#8217;s not a very strong showing, especially considering the popularity of Gucci Mane&#8217;s breakout hit, &quot;Icy,&quot; a regional favorite that became a BET favorite, too.  The strange truth is that being arrested or going to prison &#8212; even for murder &#8212; isn&#8217;t likely to have much effect on a rapper&#8217;s reputation. When Lil&#8217; Kim makes her inevitable return, she&#8217;ll inevitably have some rhymes about her time inside. But although some fans might admire her for not testifying against her friends (in hip-hop, as elsewhere, loyalty counts for a lot), it is by no means clear that jail will help her career. For a rapper, having your name printed in the police blotter is likely merely to reinforce whatever perceptions fans already have. Just ask Cassidy.  Even more than some of his contemporaries, Cassidy is obsessed with the question of credibility. He made his name as a witty battle rapper, then scored a pop hit with &quot;Hotel,&quot; an R. Kelly collaboration; no battle rapper wants to be known for an R&amp;B song. So the new Cassidy album begins with a startling track called &quot;The Problem vs. the Hustla,&quot; in which two of the rapper&#8217;s alter egos do battle. One Cassidy taunts the other, &quot;You was crazy, man, with the punch line flow/ But now you the ladies&#8217; man. Where the punch lines go?&quot;  Gucci Mane&#8217;s album isn&#8217;t great but it is more likable, not because Gucci Mane seems like a tough guy but because he sounds as if he&#8217;s having fun. He loves spaced-out electronic beats, and he delves into the treacherous world of couture criticism with the self-explanatory &quot;Booty Shorts.&quot;  The members of Boyz n da Hood, especially Young Jeezy, built their reputation on mix tapes. And from &quot;Don&#8217;t Put Your Hands on Me&quot; (which offers straightforward advice) to &quot;Happy Jamz&quot; (about how listeners shouldn&#8217;t expect any), the members do what Cassidy can&#8217;t: they tell stories that make you want to hear more, echoing the big themes of thug life while adding their own addictive little details.  For anyone who has forgotten, &quot;Boyz n da Hood&quot; is a reminder that hip-hop fans aren&#8217;t much different from fans of any other music. What they want &#8212; what we want &#8212; isn&#8217;t more bloodshed; it&#8217;s more albums like this one, with enough slang and swagger to make even the most preposterous stories sound true, or true-ish. If your rhymes are as seductive as Young Jeezy&#8217;s, the last thing you need is a few months or years in jail. (No doubt one of his main objectives, in the days leading up to his solo debut, is to stay out of trouble.)  And if your rhymes don&#8217;t ring true to begin with, an arrest will probably just make matters worse.
</p>
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